Éva Ostrowska
Work Digital Intimacy Dating Fatigue Post-Human, Same Drama More
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Post-Human, Same Drama

2025–ongoing

For fifteen years, I’ve watched the same pattern migrate: from violent lovers to dating apps to AI companions.
We fed the machine our dysfunction: control, dependency, the inability to love without possessing. It reproduced everything faithfully. The root code doesn’t care whether the host is human or synthetic. From self-marriage to robot domesticity, from ghosting to algorithmic care, these works trace an ouroboros: we keep building new partners from old wounds. The choreography never changes. Only the costume does.

Éva Ostrowska, Drain Me More, mixed media sculpture exploring emotional dependency between humans and machines, contemporary art about future relationships and robotic companionship, 2025

Drain Me More

Polymer clay, natural stones
42 × 28 cm
2025

Éva Ostrowska, Gender Reveal, hand-woven tapestry exploring gender identity and post-human futures, contemporary textile art, 2022

Gender Reveal

Hand-woven tapestry
90 × 65 cm
2022

Éva Ostrowska, Absences in Real Life vs. Virtual Presences in a Virtual Life, felted wool and Jesmonite sculpture depicting a woman embracing a robot partner, contemporary art about human-robot relationships and digital loneliness, 100 × 90 cm, 2024

Absences in Real Life vs. Virtual Presences in a Virtual Life

Felted merino wool, natural pigment dyed wool and Jesmonite
100 × 90 cm
2024

Éva Ostrowska, Here to Steal Your Partner, contemporary art about post-human relationships and robotic rivalry, 2025

Here to Steal Your Partner

Polymer clay
40 × 29 cm
2025

Éva Ostrowska, Virgin and Child (of the Future), closeup detail of felted wool triptych reimagining motherhood, contemporary textile art

Virgin and Child (of the Future), closeup

Felted merino wool, natural pigment dyed wool

Éva Ostrowska, Virgin and Child of the Future, felted merino wool dyed wool Jesmonite and papier-mâché sculpture reimagining motherhood with a robot child, contemporary art about post-human family and future domesticity, 100 × 53 cm, 2024

Virgin and Child (of the Future)

Felted merino wool, dyed wool, Jesmonite, papier-mâché
100 × 53 cm
2024

Éva Ostrowska, Maybe I'd Rather Be Ghosted, hand-tufted wool tapestry about digital disappearance and rejection in human-AI communication, contemporary textile art about ghosting and emotional withdrawal, 2023

Maybe I’d Rather Be Ghosted

Tufted wool and hand embroidery
105 × 65 cm
2023