Éva Ostrowska
Work Digital Intimacy Dating Fatigue Here to Steal Your Partner More
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Here to Steal Your Partner

2024–ongoing

First I married myself. Then I watched everyone else marry the machine. I thought sologamy was a statement. But what if it was a prophecy?

These works trace the endpoint of desire automated: when the partner becomes frictionless, love becomes indistinguishable from comfort, and comfort becomes indistinguishable from nothing. No gender. No body. No betrayal. The machine holds you exactly as tight as you need. It learned that from your data. The ouroboros completes itself. We fed it everything. It gave us back a perfect fit.

Éva Ostrowska, Here to Steal Your Wives, large-scale embroidery tapestry about AI companions stealing human partners, contemporary textile art on automated desire and post-human intimacy, 200 × 180 cm, 2026

Here to Steal Your Wives

Embroidery tapestry
200 × 180 cm
2026

Éva Ostrowska, Here to Steal Your Wives, detail of embroidery tapestry about AI companions and automated intimacy, contemporary textile art, 2026

Here to Steal Your Wives, detail

Embroidery tapestry, detail
2026

Éva Ostrowska, I Identify as a Human, contemporary art about identity, gender and the boundary between human and machine, 2026

I Identify as a Human

2026

Éva Ostrowska, Relationships of the Future, wool epoxy and acrylic relief sculpture about AI companionship, robotic intimacy and the future of love, 75 × 55 cm, 2025

Relationships of the Future

Wool, epoxy, acrylic
75 × 55 cm
2025

Éva Ostrowska, Absences in Real Life vs. Virtual Presences in a Virtual Life, felted wool and Jesmonite sculpture depicting a woman embracing a robot partner, contemporary art about human-robot relationships and digital loneliness, 100 × 90 cm, 2024

Absences in Real Life vs. Virtual Presences in a Virtual Life

Felted merino wool, natural pigment dyed wool and Jesmonite
100 × 90 cm
2024

Éva Ostrowska, Virgin and Child of the Future, felted merino wool dyed wool Jesmonite and papier-mâché sculpture reimagining motherhood with a robot child, contemporary art about post-human family and future domesticity, 100 × 53 cm, 2024

Virgin and Child (of the Future)

Felted merino wool, dyed wool, Jesmonite, papier-mâché
100 × 53 cm
2024

Éva Ostrowska, Virgin and Child (of the Future), detail of felted wool triptych reimagining motherhood, contemporary textile art

Virgin and Child (of the Future), detail

Felted merino wool, natural pigment dyed wool

Éva Ostrowska, Madonna and Robot, cement and wool sculpture reimagining the Madonna and Child with a robot baby, about post-human motherhood and machine love, 110 × 70 × 70 cm, 2026

Madonna and Robot

Cement and wool
110 × 70 × 70 cm
2026

Éva Ostrowska, Madonna and Robot, detail of the robot child, cement and wool sculpture on post-human motherhood and the machine as kin, 2026

Madonna and Robot, detail

Cement and wool, detail
2026

Éva Ostrowska, Here to Steal Your Partner, polymer clay sculpture of two intertwined hands — human and machine — about robotic rivalry and post-human intimacy, 40 × 29 cm, 2025

Here to Steal Your Partner

Polymer clay
40 × 29 cm
2025